![]() Moreover, I gave the shadows a slight blue hue under split tones to give the photo a little bit of a silver look to it. This gives the photo a little more contrast. I kept the cooler White balance settings from the previous two photos, and then dropped the blues a little in the color sensitivity settings. Lastly, let’s look into the Black and White tool built into Capture One. This image represents more closely to what the scene looked like that morning. The buildings no longer emerge from the shadows of the streets, but are more pronounced and clearer. The mood of the photo is less dramatic, and has more of a natural feel to the image. After also cooling the White Balance down, I desaturated the blues a bit to give the buildings a grey/silver look.Ĭomparing this edit with the original and first edited version, everything seems brighter. I’ve also recovered the shadows and highlights to even out the exposure. ![]() By comparing this with the first picture, you can see how big a difference curves can have. My next edit is similar, but with no adjustments to the exposure curve. Also, you can “Clone Variant” to make a variant copying the adjustments from the photo. To do this, simply right click the photo and select “New Variant” for a completely fresh variant without adjustments. ![]() I’ve also desaturated the blues in order to give the buildings a silver/grey look.Ĭreating a variation of a photo is an easy way to compare different edits of the same photo without losing your settings. Perhaps the most important adjustment here is the shadows, which give a nice cool hue, combined with the Curve adjustments. I tend to edit my work on the cooler side, but it’s more of a personal preference than being technically accurate.Īs you can see from my adjustments, I’ve made very minor changes using the Color Balance Tool, yet it has a nice effect on the colors of the photo. The photo straight out of the camera is a little green, and the first thing I want to do is to correct the white balance. Small adjustments to both can have a profound result to your photos. In the first example, we’ll make the photo appear a little more dramatic with deep creamy shadows and neutral mid tones. This will be done by using Curve adjustments and the Color Balance Tool. In this blog post, I’ll show you three different variations of the same photo, and the steps to recreate it on your own. ![]() With consistency, it gives my work a recognizable style, something that sets me apart from other photographers. When it comes to grading, I tend to favor a more dramatic and emotional tone to my photos. The wide angle also increases the feeling of vertigo, which worked perfectly in this scene. I wanted as little noise as possible, so I set my ISO to 35, which left me with a shutter speed of 1/40s. I chose this lens because I wanted to capture the canyon of the street perfectly, and knew I needed something wide to do so. The lens was the Schneider Kreuznach LS 28mm f/4.5. My equipment for this shoot was an XF IQ1 80MP. The light on the buildings is noticeably different, and it’s a nice change from the norm. It’s such a great time to take photos, as everything seems less chaotic and serene. I don’t often shoot the city at dawn, but have always enjoyed it when I do. I’m no stranger to heights, much of my work showcases the city of Chicago from high angles – but being on the ledge of a building 40 stories high is an unforgettable experience. I cleaned the sleep from my eyes while trying to decide the best angle to shoot from. I was more than 500 ft in the air, standing on the roof of the Hard Rock Hotel. ![]() It was a cold and windy morning in Chicago, and the sun was just beginning to peak over the lake. ![]()
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